













The first: Velvet Goldmine.
Now I am a huge Johnny Cash fan, so I was both attracted to and dubious of this film. I shouldn't have worried - it is beautiful. It's such a shame that Joaquin Phoenix is a whacko nowadays, because he is both astoninishingly talented and an absolute babe in this film. His Johnny Cash is so absdolutely, absolutely, on the mark, it's eerie.














Yesterday I began reading my fifth Bret Easton Ellis book in the past fortnight, Glamorama. Perhaps I should have read them in published order (his characters often reappear in subsequent novels). So far I have gone through American Psycho, Lunar Park, Less Than Zero and The Informers. American Psycho is, of course, the best, even though large portions of the book are physically nauseating (you try and read a chapter about a woman literally being chewed apart while you're trying to eat your lunch. Unpleasant). It helps that when reading it I can picture Christian Bale (who, incidentally, was utterly perfect for the part).
ssary those little ...'s are that Ellis uses. And as corny as it might sound, the pain that Ellis writes into his characters - or, as the case often is, the lack of emotion entirely - is completely visual. It's beautiful.
"Boys; stop smoking, stop watching pointless TV, stop trying to be Billy Big Bollocks all the time. Exercise, read, be accepting.
I like to travel, watch bands, take photos and then look at the photos later and scream a bit. I want to see everything. I want to see the world, and I am going to. I have always felt that there is something bigger destined for me than the life that I feel that I am heading towards right now. I am always on the lookout for that catalyst that will spark off an adventure. "I never liked anyone and I'm afraid of people."